yo,
so like. in the last post i mentioned burnout? and like honestly im still burnt out as fuck from work despite the week off i took back then. but.... i told myself i'd post about the last module i made before i started breadboarding the next one, and at this point i've got the next one fully designed and there's nothing left that i can do before i start breadboarding it. so i'm forcing myself to post about the last one. its ok tho cos really there's not that much to say about it....
it's a sample and hold module, and if u dont know what that means i think thats normal cos i didn't either until shortly before i started designing it. basically it has 2 inputs, a signal and a trigger, and one output. when the trigger goes high, the module "samples" the voltage of the signal, and "holds" that voltage, which comes out of the output. so u can do stuff like putting noise in as the signal and a clock as the trigger to get random voltages out, then pass that to the pitch input of a vco to get random notes. or if u put an lfo in as the signal instead u get something thats kind of like an arpeggio. it's fun!
as usual my design is kind of a mishmash of other designs, this time it's primarily based on moritz klein's one, but with some adjustments and a glide output based on the mfos design. although, when i say (type?) "adjustments", mostly i mean using an lf444 instead of a tl074, cos with the latter the sampled voltage was drifting really fast, which apparently is due to its "input bias current"1 being too high? but the lf444's "input bias current" is super low, so i can use an even smaller capacitor for better sampling accuracy and it still holds the signal steady for upwards of 20 seconds2. sucks that its more expensive but if i didn't do that it'd be less of a "sample and hold" module and more of just a "sample" module, soo.....
anyway i've been using this basically every time i jam on the synth ever since i made it. i think having a way to generate random notes was something i'd been missing a lot and hadn't even realised? not having full control makes it a lot more fun to play, if that makes sense. if nothing else it definitely makes it less repetitive than when i use a sequencer3. its nice! although, i do kinda wish i made the max glide time longer cos it caps out at around a second as is.... buuuut its not a big deal.
that's all i got to say about it! i've updated the synth page again, schematics are on the repo, etc etc etc. hopefully next time i finish a module it wont take me like 3 months to post about it afterwards. especially cos i actually have enough modules planned out now to take up the rest of the space in my rack, which i think will put a bit more pressure on me to actually make each post before moving onto the next module. and like, maybe the burnout will ease up?? or not. i hope it does tho,
til the next one :O3
– freya
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i dont 100% get it but this article makes it sound like it's basically how much current the op amp sucks up at its inputs...? so it was sucking the juice out of the capacitor that holds the sampled voltage. or not. i'm still learning.... ↩
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it might hold it longer idk, it seemed stable for most of a minute sometimes but i got bored of testing it, ↩
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having said this, i got a korg sq-1 for xmas last year and it has a random function, so like. kind of a moot point i guess.. ↩


